{"id":10002,"date":"2024-05-15T15:53:00","date_gmt":"2024-05-15T18:53:00","guid":{"rendered":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/?p=10002"},"modified":"2024-05-16T16:10:57","modified_gmt":"2024-05-16T19:10:57","slug":"90-anos-de-cambalache-la-vidriera-irrespetuosa-la-obra-inagotable","status":"publish","type":"post","link":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/90-anos-de-cambalache-la-vidriera-irrespetuosa-la-obra-inagotable\/","title":{"rendered":"90 a\u00f1os de \u201cCambalache\u201d: la vidriera irrespetuosa, la obra inagotable"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">\u00bfQu\u00e9 decir de \u201cCambalache\u201d?, una de las cumbres de Enrique Santos Disc\u00e9polo. Tal vez, la canci\u00f3n imperecedera como pocas, <strong>el tango que resumi\u00f3 un modo del accionar humano<\/strong>, la trama del conflicto moderno del hombre. Un tango, justo ah\u00ed, en la m\u00e9dula febril del bien y el mal, cuando \u201cla fe se tambalea\u201d. El asunto universal e inacabable.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Estrenada en <strong>1934 en el Teatro Maipo por la voz de la cantante Sof\u00eda Bozan<\/strong> \u2013a pedido de Disc\u00e9polo- esta obra forma parte de las piezas culturales que por su anclaje \u00e9tico, su aguda, l\u00facida y creativa mirada y su capacidad de entramar notablemente el principio de realidad con el mundo interno del sentir, se erigen como faros en el imaginario social.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cVivimos revolcaos en un merengue y en un mismo lodo todos manoseaos\u201d<\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"550\" src=\"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-content\/uploads\/Enrique-Santos-Discepolo-tango.jpg.png\" alt=\"\" class=\"wp-image-8690\" srcset=\"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-content\/uploads\/Enrique-Santos-Discepolo-tango.jpg.png 900w, https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-content\/uploads\/Enrique-Santos-Discepolo-tango.jpg-300x183.png 300w, https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-content\/uploads\/Enrique-Santos-Discepolo-tango.jpg-768x469.png 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\"><em><sup><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">\u00abCambalache\u00bb, de Enrique Santos Disc\u00e9polo, obra estrenada en 1934.<\/mark><\/sup><\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\u00bfQu\u00e9 es este tango de alto poder condensatorio? \u00bfUna canci\u00f3n de protesta, un poema cr\u00edtico y desolado, un grito desesperado, un ensayo sociol\u00f3gico, una profec\u00eda, un listado de cosas perdidas en el derrotero del modelo humano sustentado desde la Ilustraci\u00f3n? Todo eso y m\u00e1s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cambalache y Disc\u00e9polo coagulan la presunci\u00f3n del <strong>hombre sobre el siglo XX. \u00bfY quiz\u00e1s la del XXI?<\/strong> Las promesas de un siglo de luces y flecha de progreso se han convertido en un \u201cmerengue\u201d y en un \u201clodo\u201d, todo manoseado. La fe en la raz\u00f3n ha dado paso a la instrumentalidad de la astucia.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Y raz\u00f3n y verdad no son lo mismo que astucia, especulaci\u00f3n y trampa. \u201cHoy resulta que es lo mismo ser derecho que traidor, ignorante, sabio, chorro, generoso, estafador. \u00a1Todo es igual, nada es mejor\u201d. <strong>Disc\u00e9polo se anticipa. Lee la \u00e9poca de un siglo que culminar\u00eda en una sociedad l\u00edquida<\/strong>, \u00bfo licuada y con bordes difusos como aquel \u201cmerengue\u201d? Todo reaparece igual.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201c\u00a1No pienses m\u00e1s, sentate a un lao!\u201d<\/p>\n<\/blockquote>\n\n\n\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/CmhhWDxoV1O\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/reel\/CmhhWDxoV1O\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\" rel=\"noopener\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">Ver esta publicaci\u00f3n en Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/reel\/CmhhWDxoV1O\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none;\" target=\"_blank\" rel=\"noopener\">Una publicaci\u00f3n compartida por Fractura Expuesta (@fracturaexpuesta)<\/a><\/p><\/div><\/blockquote>\n<script async src=\"\/\/www.instagram.com\/embed.js\"><\/script>\n\n\n\n<p class=\"wp-block-paragraph\">Son numerosos los <strong>abordajes hechos de la obra de Discepol\u00edn<\/strong>. Su acertad\u00edsima lectura del grotesco pol\u00edtico, su halo psicol\u00f3gico, su pertinencia sociol\u00f3gica o su estatus en las discusiones entre arte y realidad, son algunos de los an\u00e1lisis que reviste una pieza que condensa, como ninguna, las llaves maestras del comportamiento humano.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cIgual que en la vidriera irrespetuosa de los cambalaches se ha mezclao la vida\u201d, se escucha en <em>Cambalache<\/em> acerca del hombre \u201crevolcao\u201d en su laberinto y sin saber bien de qu\u00e9 lado conviene estar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Otra vez el p\u00e9ndulo universal. El bien y el mal, la esperanza y el escepticismo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">90 a\u00f1os de un tango que da en la tecla y que no deja de interpelar a contentos y amargaos.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">\u201cUn despliegue de mald\u00e1 insolente\u201d<\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"800\" src=\"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-content\/uploads\/Enrique-Santos-Discepolo-1-edited.jpg\" alt=\"\" class=\"wp-image-10010\" srcset=\"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-content\/uploads\/Enrique-Santos-Discepolo-1-edited.jpg 800w, https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-content\/uploads\/Enrique-Santos-Discepolo-1-edited-300x300.jpg 300w, https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-content\/uploads\/Enrique-Santos-Discepolo-1-edited-150x150.jpg 150w, https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-content\/uploads\/Enrique-Santos-Discepolo-1-edited-768x768.jpg 768w, https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-content\/uploads\/Enrique-Santos-Discepolo-1-edited-100x100.jpg 100w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\"><em><sup><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">\u00abCambalache\u00bb o el hombre \u00abrevolcao\u00bb en su laberinto<\/mark><\/sup><\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff0000\" class=\"has-inline-color\">La letra<\/mark><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Que el mundo fue y ser\u00e1 una porquer\u00eda<br>ya lo s\u00e9\u2026<br>\u00a1En el quinientos seis<br>y en el dos mil tambi\u00e9n!.<br>Que siempre ha habido chorros,<br>maquiavelos y estafaos,<br>contentos y amargaos,<br>valores y dubl\u00e9\u2026<br>Pero que el siglo veinte<br>es un despliegue<br>de mald\u00e1 insolente,<br>ya no hay quien lo niegue.<br>Vivimos revolcaos<br>en un merengue<br>y en un mismo lodo<br>todos manoseaos\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a1Hoy resulta que es lo mismo<br>ser derecho que traidor!\u2026<br>\u00a1Ignorante, sabio o chorro,<br>generoso o estafador!<br>\u00a1Todo es igual!<br>\u00a1Nada es mejor!<br>\u00a1Lo mismo un burro<br>que un gran profesor!<br>No hay aplazaos<br>ni escalaf\u00f3n,<br>los inmorales<br>nos han igualao.<br>Si uno vive en la impostura<br>y otro roba en su ambici\u00f3n,<br>\u00a1da lo mismo que sea cura,<br>colchonero, rey de bastos,<br>caradura o poliz\u00f3n!\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a1Qu\u00e9 falta de respeto, qu\u00e9 atropello<br>a la raz\u00f3n!<br>\u00a1Cualquiera es un se\u00f1or!<br>\u00a1Cualquiera es un ladr\u00f3n!<br>Mezclao con Stavisky va Don Bosco<br>y \u00abLa Mign\u00f3n\u00bb,<br>Don Chicho y Napole\u00f3n,<br>Carnera y San Mart\u00edn\u2026<br>Igual que en la vidriera irrespetuosa<br>de los cambalaches<br>se ha mezclao la vida,<br>y herida por un sable sin remaches<br>ves llorar la biblia<br>contra un calef\u00f3n\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a1Siglo veinte, cambalache<br>problem\u00e1tico y febril!\u2026<br>El que no llora no mama<br>y el que no afana es un gil!<br>\u00a1Dale nom\u00e1s!<br>\u00a1Dale que va!<br>\u00a1Que all\u00e1 en el horno<br>nos vamo a encontrar!<br>\u00a1No pienses m\u00e1s,<br>sentate a un lao,<br>que a nadie importa<br>si naciste honrao!<br>Es lo mismo el que labura<br>noche y d\u00eda como un buey,<br>que el que vive de los otros,<br>que el que mata, que el que cura<br>o est\u00e1 fuera de la ley\u2026<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0);color:#ff0000\" class=\"has-inline-color\">Las grandes versiones<\/mark><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">&#x1f3b6; En la voz de Julio Sosa<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cambalache\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/QMYbhXJQq8o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#x1f3b6; Interpretado por Goyeneche y Piazzolla<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Astor Piazzolla \/ Roberto Goyeneche  \/ Cambalache\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3CJ0f_G2lX8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#x1f3b6; La versi\u00f3n de Rub\u00e9n Ju\u00e1rez<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cambalache\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/7lUad64fG_s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>En 1934 se estren\u00f3 una de las piezas clave de Enrique Santos Disc\u00e9polo. Una obra siempre vigente que absorbe, como ninguna, las coordenadas difusas del hombre contempor\u00e1neo atravesado por su laberinto \u00e9tico.<\/p>\n","protected":false},"author":1,"featured_media":10014,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[605,267,559,32,580],"class_list":["post-10002","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias","tag-cambalache","tag-discepolo","tag-enrique-santos-discepolo","tag-featured","tag-la-fe-poetica"],"_links":{"self":[{"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/posts\/10002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/comments?post=10002"}],"version-history":[{"count":16,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/posts\/10002\/revisions"}],"predecessor-version":[{"id":10023,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/posts\/10002\/revisions\/10023"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/media\/10014"}],"wp:attachment":[{"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/media?parent=10002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/categories?post=10002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/tags?post=10002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}