{"id":3918,"date":"2020-05-04T16:01:16","date_gmt":"2020-05-04T16:01:16","guid":{"rendered":"http:\/\/www.fracturaexpuesta.com.ar\/tango\/?p=3918"},"modified":"2020-05-04T16:14:09","modified_gmt":"2020-05-04T16:14:09","slug":"al-rescate-de-villoldo-con-sciammarella-tango","status":"publish","type":"post","link":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/al-rescate-de-villoldo-con-sciammarella-tango\/","title":{"rendered":"Al rescate (y reelectura) de Villoldo con Sciammarella Tango"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Tal como lo hicieron con sus discos anteriores en donde combinaban <strong>la m\u00fasica y la investigaci\u00f3n hist\u00f3rica<\/strong> sobre el legado tanguero, Sciammarella Tango presenta ahora un disco que ahonda en la figura de \u00c1ngel Villoldo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>A Villoldo<\/em> -as\u00ed se llama el nuevo material que <a rel=\"noreferrer noopener\" aria-label=\"se escucha en todas las plataformas digitales (abre en una nueva pesta\u00f1a)\" href=\"https:\/\/open.spotify.com\/album\/5bg6aUMOQ9a85L0fRCKbK1\" target=\"_blank\">se escucha en todas las plataformas digitales<\/a>&#8211; rescata rasgos desconocidos de la obra del autor y compositor argentino que fue una de las piezas claves de la \u00e9poca inicial del tango. En 2019 se cumplieron <strong>100 a\u00f1os de su fallecimiento<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Grabado precisamente en ocasi\u00f3n del centenario de Villoldo, como culminaci\u00f3n de un trabajo realizado <strong>junto al investigador \u00abTito\u00bb Rivadeneira<\/strong>, Sciammarella\u00a0Tango\u00a0retoma, desde un perspectiva femenina, la obra del autor y coloca aspectos novedosos en un legado fundacional para el\u00a0tango. <\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"600\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/Fx3QtMytaDQ\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Asi, la versi\u00f3n de \u00abEl choclo\u00bb comienza con una letra en franc\u00e9s fechada en 1912, \u00abLa Caprichosa\u00bb aparece reversionada en italiano y <strong>\u00abKalisay\u00bb, un instrumental de 1916, recibe una letra actual <\/strong>pero inspirada en los antiguos anuncios comerciales que volvieron c\u00e9lebre al aperitivo nacional.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00abLa Porte\u00f1ita\u00bb retoma el t\u00edtulo alternativo que Villoldo mismo propone, en un movimiento de <strong>valoraci\u00f3n por la mujer independiente<\/strong> que Rivadeneira destaca en la ante\u00faltima pista. En sinton\u00eda con el legado villoldiano, el \u00e1lbum cierra con <strong>una milonga en franc\u00e9s<\/strong> que se pregunta, desde una perspectiva femenina, c\u00f3mo debe ser el amor.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"5600\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/iaZAqXsuyjU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p style=\"color:#ff0004\" class=\"has-text-color wp-block-paragraph\"><strong>Los temas de \u00abA Villoldo\u00bb<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1.<\/strong> Kalisay (M\u00fasica: Angel G. Villoldo, 1916. Letra: Denise Sciammarella, 2019) <br><strong>2.<\/strong> El Choclo (Chansonnette. Paroles: L\u00e9once Paco, 1912 Musique: Angel G. Villoldo, 1905) <br><strong>3.<\/strong> Una fija (M\u00fasica: Angel G. Villoldo, 1909) <br><strong>4.<\/strong> La Caprichosa (Letra y M\u00fasica: Angel G. Villoldo, 1904, Adaptaci\u00f3n al italiano: Denise Sciammarella, 2019) <br><strong>5.<\/strong> La porte\u00f1ita (Letra y M\u00fasica: Angel G. Villoldo, 1903, Adaptaci\u00f3n de la letra: Denise Sciammarella, 2019) <br><strong>6.<\/strong> Yunta Brava (M\u00fasica: Angel G. Villoldo, 1906-07) <br><strong>7.<\/strong> Belgique (M\u00fasica: Angel G. Villoldo, 1915)<br><strong>8.<\/strong> La Morocha\/Mimi Boh\u00e8me (M\u00fasica: Enrique Saborido, Letra: Angel G. Villoldo, 1905. Paroles fran\u00e7aises: L\u00e9o Leliv\u00e8re. Trio Musical: Manuel Sarrablo, 1909) <br><strong>9.<\/strong> El esquinazo (M\u00fasica: Angel G. Villoldo, 1902)<br><strong>10.<\/strong> Villoldo por Tito Rivadeneira <br><strong>11. <\/strong>Bonus Track: Comme il faut pas (M\u00fasica: Juan Fal\u00fa, Letra: Denise Sciammarella, 2019) <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Denise Sciammarella: Direcci\u00f3n creativa, Investigaci\u00f3n y Voz<br>Cindy Harcha: Direcci\u00f3n musical, Bandone\u00f3n y Arreglos<br>Hanel Yeon: Piano y bandone\u00f3n<br>Shino Ohnaga: Piano<br>Mariana Atam\u00e1s: Viol\u00edn<br>Cecilia Florencia Garc\u00eda: Viol\u00edn<br>Geraldina Carnicina: Contrabajo<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Invitados: <br>Aurelio Alinovi (voz) en 1<br>Lidia Borda (voz) en 8 <br>Marcelo Aronson (derbake) en 8<br>Tito Rivadeneira (rese\u00f1a) en 10<\/p>\n\n\n\n<blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/BtlqmrDgybr\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"12\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/BtlqmrDgybr\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"> Ver esta publicaci\u00f3n en Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div><\/a> <p style=\" margin:8px 0 0 0; padding:0 4px;\"> <a href=\"https:\/\/www.instagram.com\/p\/BtlqmrDgybr\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\">Cruzando los Alpes hacia Munich: segundo punto de la gira 2019.<\/a><\/p> <p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">Una publicaci\u00f3n compartida de <a href=\"https:\/\/www.instagram.com\/sciammarella_tango\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;\" target=\"_blank\"> SCIAMMARELLA-Tango<\/a> (@sciammarella_tango) el <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2019-02-07T17:13:10+00:00\">7 Feb, 2019 a las 9:13 PST<\/time><\/p><\/div><\/blockquote> <script async src=\"\/\/www.instagram.com\/embed.js\"><\/script>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p style=\"color:#ff0004\" class=\"has-text-color wp-block-paragraph\"><strong>Sciammarella Tango: una orquesta, varios pa\u00edses<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Chile, Jap\u00f3n o Ucrania son algunos de los pa\u00edses de procedencia de las integrantes de esta orquesta de m\u00fasicas creada en 2013 por Denise\u00a0Sciammarella con el objetivo inicial de retomar la obra del compositor -y familiar- Rodolfo Sciammarella.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un grupo cuya propuesta gira en torno a un repertorio de tangos que es tradicional pero novedoso a la vez, gracias a la combinaci\u00f3n entre arte e investigaci\u00f3n que ayuda a colocar a las obras en un plano distinto al de su origen.<\/p>\n\n\n\n<iframe loading=\"lazy\" width=\"600\" height=\"355\" src=\"https:\/\/www.youtube.com\/embed\/zJAuKh-P6-E\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El grupo lanz\u00f3 en plataformas digitales su tercer disco. Villoldo desde una nueva perspectiva.<\/p>\n","protected":false},"author":1,"featured_media":3921,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[294,32,293,111],"class_list":["post-3918","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-discos","tag-arolas","tag-featured","tag-sciammarella-tango","tag-tango"],"_links":{"self":[{"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/posts\/3918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/comments?post=3918"}],"version-history":[{"count":11,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/posts\/3918\/revisions"}],"predecessor-version":[{"id":3932,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/posts\/3918\/revisions\/3932"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/media\/3921"}],"wp:attachment":[{"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/media?parent=3918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/categories?post=3918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fracturaexpuesta.com.ar\/tango\/wp-json\/wp\/v2\/tags?post=3918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}